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April 24, 2008

doug sisk memorial links

(Actually, I'm pretty sure Doug Sisk is still alive.)

o Kottke breaks down the knuckleball using Josh Kalk's PITCHf/x tool. The latter is amazing. Honestly, most of the math is entirely beyond me, but graphing the way a pitcher's pitches break is a way to visualize a pitcher's work, and is beautiful. It's modern art, really, each chart somehow finding the truth of a particular player. Of course, the highly modern colors on the white background contribute, too.

o Slate's Matthew McGough on the golden age of baseball movies.

o Safeco Field in San Francisco has some kind of free live network for Nintendo DS users. Sounds fun, fersure, but such a strange platform to do it with. I mean, I guess DSes are popular and all, but wouldn't it make more sense to develop it for the Blackberry or something? (Thx, VB.)

o The Mets latest 5th starter/hope, Nelson Figueroa, is the definition of the contemporary international journeyman. Born in Brooklyn (represent!), in the past year Figueroa has pitched in Mexico (all-star), Taiwan (Series MVP), the Dominican Republic (Series MVP), and the Caribbean (Series MVP). Definitely an Omar Minaya type of player. (via Metsblog)

o A whole mess of links about the 1964 World's Fair which spawned Shea Stadium.

April 9, 2008

"all the way around & back" - charles ives

"All the Way Around and Back" - Charles Ives (download) (buy)
conducted by Leonard Bernstein

A Charles Ives piece from 1908 structurally mimics an archaic baseball rule from the composer's childhood, via Timothy Johnson's Baseball and the Music of Charles Ives: A Proving Ground:

The additive process aptly represents the gradual process of the runner. If the initial Db that begins each measure symbolizes first base, then each added note tracks the runner's progress toward third. The skipped additions (moving directly from five to seven and from seven to eleven notes) seem to depict the runner's increased speed as he builds up momentum heading for third. Finally, the complete pattern is repeated once more, running as fast as he can, before the whole process is reversed beginning with an extra two measures of the final undecatuplet, as the runner returns to first base in the same way that he traveled in the first place -- rapidly at first, then easing up as the base is reached.

At first glance the symbolism of the baserunner, speeding up as he rounds the bases and then slowing down as he returns, seems to be lost in this palindromic reversal, since a runner presumably might easily trot back to first base after a foul ball. However, the rule that determined how quickly one must return to the base after a foul ball changed over the years. The rules of 1883 state that "a baserunner who fails to return to his base at a run following a foul ball is liable to be put out by being touched by the ball while off his base."

(Thx, Jakebrah. Definitely need to read this.)

March 26, 2008

grapefruit league links, cont.

o Fantastic New Yorker profile of former Met/Philly Len Dykstra, who recently founded the Players Club, an investment group for professional athletes.

o Joe Smith is God, sez this MySpace page.

o Shawn Green retired three homers short of Hammerin' Hank Greenberg's all-time Jewish home run record of 331. Jewish guilt for juicing?

o On how Latin players pick up English.

o The Apollo 11 moonwalks, as mapped onto a baseball diamond. (Thx, Kottke.)

March 10, 2008

chop shop

Every Mets fan should see Chop Shop, which is at the Film Forum until Tuesday, and hopefully other art houses in other cities at other times. Though leads Alejandro Polanco and Isamar Gonzales are a bit melodramatic in places as adolescent brother and 16-year old sister Ale and Isamar, it's still a valuable evocation of life in Willets Point, the scrapyard neighborhood bordering Shea Stadium. New Yorkers are long used to seeing movies set in the boroughs, but Willets Point -- whose streets aren't paved -- might as well be another planet, even compared to projects and tenements and other slums.

Chop Shop has most often been compared to City of God, and that's probably fair, both plots grown wholly from geographic/economic circumstances -- in this case, Ale's dream to open a food cart. There is little interaction between the neighborhood and the ballpark, but the economic chasm is constantly on display, the stadium lights sometimes seeming like alien backdrops. There is also, of course, quiet transcendence and something like authentic human life. With the construction of CitiField comes a looming threat of gentrification and Mayor Bloomberg's efforts to have the area leveled/redeveloped. Chop Shop is a world that might soon be destroyed.

February 28, 2008

grapefruit league links

The Mets lost 4-2 to the Tigers in a split squad game today. Welcome back.

o Dunno how I missed this when the Voice ran the story in September, but ex-Mets pitcher/current Mets announcer Ron Darling is apparently a huge jazzhead.

o Digaman hipped me tonight to the existence of the fantasy baseball league that existed only in Jack Kerouac's head. Really.

o Despite the utter failure of the Mitchell Report to create any kind of closure with the steroids era, Barry Bonds and Roger Clemens are speaking in gestures as weirdly elegant as their records are grotesque. That is, one can imagine John Chancellor's narrator in Ken Burns' Baseball reading off their narratives. The latest installment, far less reported than Clemens' escapades on Capitol Hill, involves Bonds personally driving from spring training camp to spring training camp looking for work, while threatening to go play in Japan. (Thx, Russ.)

o SNY's feature on the best Mets brawls would be a whole lot cooler with video clips. But it's still pretty cool.

o The Times Bats blog reports on Mets' pitching coach's Rick Peterson's observational skills. According to Sports Illustrated, Peterson spent the off-season "read[ing] Eastern philosophy and [drawing] sketches of his players."

o A classic meditation by the late paleontologist Stephen Jay Gould.

February 12, 2008

stengel

If there was ever any doubt that baseball is an oral culture, peep this letter written by legendary manger Casey Stengel to sportswriter Ira Berkow in the '70s, when Casey was in his 80s. Quoted in Robert Creamer's superb Stengel, it was a bit of a shock to me to realize that Casey -- a raconteurish encyclopedia cataloguing a lifetime of players, plays and stories -- was barely literate.

Dear Ira: Your conversation's; and the fact you were the working writer were inthused with the Ideas was great but frankly do not care for the great amount of work for myself. Sorry but am not interested. Have to many proposition's otherwise for the coming season. Fact cannot disclose my Future affair's. Good luck. Casey Stengel, N.Y. Mets & Hall of Famer.

Man, my spell-check loves Casey. Didn't write in the passive voice, though!

February 11, 2008

"79 men on third for the mets" - dick mccormack

"79 Men on Third for the Mets" - Dick McCormack (download)
from An Amazin' Era video

(file expires February 17th)

The baseball stories are increasing with the imminent reporting of pitchers and catchers to spring training this week. Today brings us a Times profile in which we discover that third baseman David Wright actually refers to himself as "D-Wright." Uh, right on?

Relatedly, I spent some late night hours over the weekend revisiting An Amazin' Era, the delightfully cheesy Mets retrospective produced just before the 1986 season. Included therein is the above song, "79 Men on Third for the Mets," folksinger Dick McCormack's novelty tribute to the nearly 80 players who'd covered the corner for the Mets between 1962 and 1985. (Though the video doesn't include the '86 season, McCormack manages to fit in the newly acquired Tim Teufel, who played one game at third later that year.) It's super toe tappin'.

Anybody got info on this Dick McCormack dude? The infranet reveals the existence of a "We Didn't Start the Fire"-style number he wrote summing up the 1987 season, though it looks like some lawyers nastygrammed it. Oh, bother.

February 1, 2008

two weeks.

An oncoming cold, a new millionaire pitcher to wonder idly about, and some Roger Angell to peruse. I'm going to bed, ideally to dream of "raising my mid-game gaze from the diamond to observe the gauzy look of departing rain clouds lifting from the jagged rim of some distant desert peak, and then entering that in my notebook (with the pen slipping a little in my fingers, because of the dab of Sea & Ski I have just rubbed on my nose, now that the sun is out again and cookin gus gently in the steepl little grandstand behind third base)." We all dream of dreams.

October 29, 2007

is it time for spring training yet?

Sadly, probably not. What a lame Series. At least it's time to end the self-imposed moratorium on reading baseball books.

o The New Yorker's Ben McGrath gets loose on Scott Boras, agent to A-Rod, Carlos Beltran, and many others.
o A pair of scholarly studies about the effects of the Designated Hitter, including a PDF of "the Etiology of Public Support for the Designated Hitter Rule" (apparently, um, Democrats favor the DH more than Republicans) (Thx, MVB)
o FireJoeMorgan.com will keep me entertained during the long, cold months. Of this, I am sure. (Word, OAK.)
o Richard Ford has a nice piece in today's Times about the game-as-played versus the game-as-discussed. Anything that "refines the idea of spectatorship" is good. Anything "trying to sharpen the focus on a bunch of focusless stuff that not only doesn’t matter a toot, and could never be proven true or false and therefore isn’t really journalism, but that also doesn’t have anything to do with the game as it’s played"... well, that's bad.
o It is time for the annual reading of A. Bartlett Giamatti's "The Green Fields of the Mind."

No, seriously, is it time for spring training yet?

October 22, 2007

yo la tengo in port washington, 10/19

"Ripple" - Yo La Tengo (download)
recorded 19 October 2007, Landmark on Main Street, Port Washington, NY

(file expires October 29th)

Yo La Tengo at Landmark on Main Street
Port Washington, NY
19 October 2007
Chris Brokaw opened.

The Landmark being (as we discovered) across the street from Finn MacCool's, the watering hole of choice for the 1986 Mets, many of who resided in Port Washington, we naturally had to toast Danny Heep en route to the show. Via Jeff Pearlman's The Bad Guys Won:


Strawberry did much of his damage at Finn MacCool's, a tavern in Port Washington where many of the Mets hung out. One night Henry Downing, the bar's manager, concocted a drink for the Mets that he named The Nervous Breakdown. It was a potent combination of vodka, cranberry juice, tequila, and schanpps, and the twelve Mets sitting around the table eagerly devoured pitcher after pitchers. Among the participants were Ojeda, Mitchell, Dykstra, and Backman -- guys who could hold their own. Yet the one who drank the most was Strawberry. 'I remember he really took to that,' says Connie O'Reilly, MacCool's owner. 'I guess he liked the taste.' ... 'The next afternoon we were watching the game from the bar, and the broadcaster said Darryl wasn't playing,' O'Reilly says. 'They showed him sitting on tbe bench... something about a twenty-four-hour virus.'

Tom Courtenay
Beanbag Chair
Let's Save Tony Orlando's House
Fog Over Frisco
Mr. Tough
Ripple (Grateful Dead)
Surfin' With the Shah (The Urinals)
Cone of Silence
Sloop John B (trad/Beach Boys)
Black Flowers
Luci Baines (Arthur Lee)
Decora
I Found A Reason (Velvet Underground)
Oklahoma USA (The Kinks)
Story of Yo La Tango
Detouring America With Horns
Speeding Motocycle (Daniel Johnston)
You Can Have It All (George McCrea)

*(encore, with Chris Brokaw on guitar)*
A House Is Not A Motel (Arthur Lee)
Tell Me When It's Over (Dream Syndicate)
I Feel Like Going Home

October 15, 2007

mexican baseball in red hook after all, 10/07

October 1, 2007

the nice autumn air

Baseball deals in increments of hope: a two-run homer that brings the team within one, a strike closer to a strikeout, an out closer to the end of the game, a victory closer to the end. Each is a small clearing where suddenly a path to the future opens up, and everything is all right.

"There's more Mets than Yankees in all of us," Roger Angell once said, or something like it, which is maybe small consolation to a Mets fan this week. But it was a drama to participate in, milked to the very last day of the season: a statistically impossible and literally historic slide with one glorious high before the absolute crash, a redemptive one-hitter/blow-out (with a fight, taboot!), followed by a game in which a future Hall of Famer possibly making his final career start was blown out after giving up five runs in the first, a renowned slugger had his wrist broken by an errant pitch, and a kryptonite-weighted wunderkind ended his honeymoon with the fans. One utility player finished up an all-star career while his wife wept quietly in the stands, and September call-ups packed their bags, hoping for a shot in the spring.

For now, it is time for new routines, new ways to mark the post-agrarian seasonal changes. For some, it's further escape into different culture industries: the fall movies (Wes Anderson! the Coen brothers!), other sports (a guy next to us at the game was tuned into the Jets today! The Jets!), or even changes that have nothing to do with consumption (taking the train to work instead of riding a bike). They are changes that would have happened with or without baseball, but now we can be aware of the Indian summer rising around us, the last nights to go out on the town and enjoy the air, instead of being lashed to a radio or a ballpark seat. Yeah, that's the ticket: the nice autumn air.

September 28, 2007

in which the spirit of doc gooden cries out for peace, love, and three more m'fucking victories through the medium of a beach towel, 9/07

September 25, 2007

baseball as dumb show

It has been said often enough that baseball is a game of inches: of a ball that shoulda/coulda/mighta gone foul, of subtle pitch placement, of the exact angle of the bat as it makes contact. But, from the stands, baseball is a dumb show, able only to communicate in the broadest of strokes.

We do anything we can to infer personality from the players. Standing in repose as they do for most of the game -- at bat waiting for a pitch (literally in a stance), on the mound waiting for a batter -- this is pretty easy. It's how they approach the plate, or head back to the dugout after grounding out weakly to second. But these are all actions that occur within a formal language, and the result is archetypes: speedy tricksters, crafty veterans, tragic journeymen, graceful future Hall of Famers who move like ghosts through the dugout.

Like the improvised characters in Italian commedia dell'arte, they are recognized instantly and understood for their behaviors. In some ways, at least as far as on-field personalities go, there is rarely anything new under the sun. Sometimes, there is, especially as the racial texture of the game changes, the make-up of pro ball having very much changed from the children of immigrants to immigrants themselves. But these changes are slow.

But, it's baseball, and they don't need to be fast. With between 10 and 13 characters on stage at a time with dozens more waiting in the wings (hundreds, if you count the players in the minors), multiplied by 162 games per team/per year (around 2,400 in all of Major League Baseball), the possibilities for sustained drama are functionally infinite.

But we hone in on specific personalities inside the noise, which is why we can so readily read pictures like this in ways that have nothing to do with stolen bases or batting averages or any other kind of detached statistic.

September 20, 2007

a baseball field on the last day of summer, 9/07

"The postseason is all about extending the summer," my friend Russ said last night, waxing philosophical sometime not long after I demanded the head of José Lima. For being the best, the World Series teams are allowed the pleasure of going to the ballpark day after day, reveling in the mechanics of routines they perfected in earlier, golden light, even as the leaves die and the sun changes.


August 10, 2007

richard ford's "a minors affair"

A fine meditation on the slowness of the dog days, originally published in Harper's, via Baseball: A Literary Anthology:

Everywhere, from Portland to Pawtucket, baseball's the same slow, sometimes stately, sometimes tedious game governed by extensive, complexly arbitrary rules, and practiced according to arcane, informal mores and runic vocabularies which compel that almost every act of play be routine. Even the great smashes, the balletic defensive turns, and the unparalleled pitching performances -- by being so formally anticipated, so contemplated and longed-for by the fans -- become ritual, even foregone. It's a Platonic game in this way, with all visible excellence (and even unexcellence) ratified by a prior scheme of invisible excellence which is the game itself.

August 2, 2007

i r in ur ballpark stealing ur jose valentin.

o Feral cats living in Shea! (Thx, IvyP.)
o Wally Backman bugs out.
o RIP former Mets first base coach Uncle Bill Robinson.
o Lasting Milledge's MySpace profile.
o With his solo shot tonight, Shawn Green is now just five home runs away from tying Hammerin' Hank Greenberg at 331 for all-time Jewish home run leader.

June 14, 2007

the baseball diaspora

Watching the Mets melt over the weekend, there were numerous tasteless jokes I wanted to make about unsuspended steroid-free reliever Guillermo Mota. But there was nobody around. I thought about logging on to one of the entertaining comment threads on MetsBlog.com. Entry into the Mets' online fan community is something I've been hesitant about, though.

When fans of bands or authors or comic books or even politicians gather online, it is usually for the purpose of creating a virtual community, a collectively imagined place to give body to an idea. But baseball fans already have a physical home: the ballpark. That's not to take anything away from Mets fans that post online, just to note that the meaning and tenor of their conversations is different. They are an old-fashioned mini-diaspora that doesn't need the net to survive, just AM radio and somebody in a similarly colored hat. I was happy to save my rude comments until those conditions were met. Didn't take long.

May 31, 2007

notes from the upper deck

o The Wave dissipates around the seats, following a zagging single-file line before dying completely, more like a secret whispered from one fan to another than any kind of groupmind declaration.
o The ball is a pinprick in a massive field of controlled visual noise. It is like the key to a magic eye. Locating it against the crowd can sometimes be like looking at an Escher, the foreground and the background toppling over one another as one tries to pick up if it is fair or foul, high or low, or even which side of the diamond it's heading towards. For a dizzying fraction of a second (at least far away) it is all of these places simultaneously. Then it is in the first baseman's glove, and Damion Easley is heading back to the dugout.
o In extra innings, the PA runs into the deep cuts: The Doors' "Break on Through," with Ray Manzarek's long organ solo to keep fans entertained in lieu of DiamondVision gimcracks. Also because, like, the Mets need to break on through & such. Later, the DJ (what would his title be?) whips out "We Will Rock You" -- not just the introductory beat to get the crowd stomping, but the actual song, Freddie Mercury verse and all. As a dramatic cue, it really works.
o The booing of Barry Bonds is an amazing, overwhelming sound. Especially on Tuesday, when he doesn't come in until a late inning pitch hit appearance, and the crowd finally releases their hatred (is that what it is?), it sounds like a jet going over Shea. Wednesday, a plane passed overhead while Bonds was up, and the sounds were indistinguishable.
o The debate over "performance enhancing drugs" rings a bit false, though, if only because science -- especially as it relates to baseball -- is almost always destined to prove itself mere folk knowledge. From (the recently late) David Halberstam's Summer of '49:

The strain of the heat on the pitchers was even more obvious. They kept a jug of orange juice mixed with honey to drink as a pick-me-up and also a bucket filled with ice and ammonia. Gus Mauch would dip a towel in the bucket and drape it over the pitcher's neck between innings. "Florida water," they called it. It was believed that water, any amount of it, would bloat you up, make you heavy, and slow you down. So none of the pitchers took even the smallest drink of water during the game. Allie Reynolds, as a special reward to himself if he made it to the seventh inning in the hot weather, would go over to the cooler, take a mouthful, wash it around in his mouth for a moment or two, then spit it out.

Sometimes, the players ate candybars (no water to wash it down) midgame. Other times, they just stuffed ice into their jocks to fight off fatigue.

May 17, 2007

what's the frequency, omar?

Wow, the Man came crashing down swiftly on occasional Mets prospect Lastings Milledge for his participation in Soul-Ja Boi Records & Manny D's "Bend Ya Knees" single, huh? There's a nice multi-faceted discussion over at MetsBlog. Mostly, I'm just curious to hear the damn song -- it seems to have been deleted from the Soul-Ja Boi website, their MySpace page has apparently been disappeared, and when I emailed their info@ addy, I got a big, fat "delivery to the following recipient failed permanently" bounceback. WTF? Anybody got an mp3?

May 16, 2007

notes from the upper deck

o It feels kind of, er, un-American to sing "God Bless America" during the 7th Inning Stretch. It feels hypocritical that it is only done on Sundays. I'll stand for "Take Me Out to the Ballgame," though.
o Mama's of Corona is easily the best food I've found at Shea. It is buried on the field level, accessible to Upper Deck groundlings, via a back hallway at gate B3 (though this article says there's one in the mezzanine, too.) (Thx, Gary.)
o Much more on Michael Lewis's Moneyball as it sinks in. An odd side effect of the Bill James/Billy Beane school of general managership: though it rewards deep, impersonal stats, on the playing field itself, it often emphasizes classically idiosyncratic baseball characters, such as Chad Bradford, the sidewinding Alabama Baptist, or Scott Hatteberg, the pitch-count-racking catcher-turned-first-basemen. (I'm only four years late to the party on this one.)
o During the last homestand, Shea's grass was cut in criss-crossed diamond patterns. This time out, it radiates outwards from homeplate like sunbeams, growing wider and bolder as they reach the outfield, each a miniature replication of a baseball field's implied infiniteness.

May 4, 2007

the team. the time. the one last nostalgic use of the marketing campaign. (greatest misses #6)

(A foray into longer-form baseball writing in the form of a review of Shout! Factory's 2006 Mets highlights reel, The Team. The Time. The 2006 Mets..)

"You're gonna have to learn your clichés," Kevin Costner's Crash Davis advises Tim Robbins' Nuke LaRouche in 1988's Bull Durham. "You're gonna have to study them, you're gonna have to know them. They're your friends. Write this down: 'we gotta play it one day at a time.'"

"It's pretty boring," LaRouche says.

"'Course it's boring," Davis responds. "That's the point."

Nineteen seasons later -- LaRouche, perhaps, having just wrapped up a respectable alternate-universe career as a dependable mid-rotation starter -- Robbins has certainly learned his. Narrating The Team. The Time. The 2006 Mets, the now-veteran actor spits them out fast and furious, along with nearly every commentator, Met, vet, and front office rep to offer commentary.

And, like Davis says, that's the point. Despite baseball's infinite facets, cliché remains the dominant public language of the game, and there's no reason to suspect that will change anytime soon.

"This town is about winning," General Manager Omar Minaya notes at one point, completely clearing that up. "It starts with our passion for playing the game," observes manager Willie Randolph in a totally winning white turtleneck. "The 2006 Mets personified heart and courage," Robbins intones as Carlos Beltran slams into (I think) the Astrodome wall. Things, in short, that might be said about any (the) team at any (the) time.

In a way, all of that seems perfectly obvious. Of course David Wright is going to regurgitate platitudes like "I think winning's contagious." Clichés let the game speak for itself, mindless chatter between highlights clips. And what highlights clips: Carlos Delgado rocketing a shot into the rightfield bullpen in the 16th inning against Philadelphia on May 23rd, Jose Reyes completing his June 21st cycle with a single, Jose Valentin acknowledging the transcendent power of his moustache.

Stache's 'stache, as it turns out, is a reminder that highlights reels don't have to be clichés. Really, a DVD about the 2006 Mets could just as easily plug the gaps between walk-off wins by talking about mechanics, like what knowledge leather-faced Rickey Henderson imparted on bright-eyed/bushy-tailed Reyes in the art of stealing bases, or the practically spiritual strength Tom Glavine draws from his routines. Or a feature reflecting the culturally rich clubhouse. Or even just the lovely and human story of the seemingly over-the-hill Valentin earning the hell out of a starting spot at second base.

Instead, we get acoustic guitar shorthanding for the sadness of Pedro Martinez's mid-campaign meltdown, though no actual footage of the events. Even by highlights films standards, some of it's pretty bad. By contrast, the plum delightful 1986 reel, A Year To Remember, created its narrative authority by including (for example) footage of an errant throw by Gary Carter smashing into Mookie Wilson's face and shattering his sunglasses. Plus, they had montages. Crazy, bad-ass '80s montages set to Emerson, Lake and Palmer and Glenn Frey. You know, from the Eagles. (The Eagles of Los Angeles, that is, not Philadelphia.)

Few of the clichés are inaccurate, either. After all, the Mets did finish 2006 tied for the best record in baseball, and a host of other accomplishments. But, with chapter names like "Chemistry," "Resiliency," and "Optimism," it's also kind of patronizing. Cute marketing brand, the whole definite-article/parallel construction the-team-the-time thing, but maybe not very accurate as far as titles go, given that the Mets didn't even make it to the World Series. In the end, the true tenor of a baseball season -- for player and fan alike -- is multitudes more complex than "Chemistry" and "Optimism."

Instead of the World Series, though, what we got -- and what we get here, augmented by dramatic orchestral hits -- is Endy Chavez creating a real, honest-to-Keith capital-M baseball Moment. And, while that's maybe not as good as brute force world champ bragging rites, it's also much richer: that concentrated flash of pure joy deeply colored by the fated ending just an inning later. It's not victory, but it's something to hold onto -- and, in the form of The Team. The Time. The DVD, it takes physical form.

We bought the ticket, we took the ride, and the Mets lost. The latter fact feels (and is) entirely secondary on The Team. The Time. The 2006 Mets.. And, really, it is, owing primarily to another life-affirming cliché: we'll get 'em next year. And we will. Both the bragging rights and the bitchin' montages.

April 23, 2007

notes from the upper deck


o CitiField is emerging a few dozen yards from the outfield fence, a superstructure that looks not unlike the half-completed Death Star in Return of the Jedi. It's certainly ominous. With nobody working on it during the weekend games, it looked like it could either be a construction or demolition project. Like a first trimester fetus in a sonogram, bits of what I imagine will be the first base bleachers are the only part currently recognizable as a ballpark.
o I'm deeply suspicious of the asymmetric layout of the new field. I dig Shea Stadium because it is Platonic: what a baseball field should look like in the best of all possible worlds. Allegedly, CitiField is to mimic old-time ballparks, with its facade imitating Brooklyn's Ebbets Field. But old fields' dimensions were idiosyncratic because they were often forced into the confined footprint of a city block. It just seems false.
o Aha, another reason baseball is unique: its complete system of elegantly nested units. (Huh-huh, "nested units.") It can be broken down into formal segments, growing larger and more complex: single pitches (their motion over the plate), at-bats (the full drama of how to work a batter), plays (individual sets of action), innings (slightly larger sets, with dramatic unity), games (the most basic currency of baseball), series (how two teams stack up during a given few days), and seasons (ultimately, determining who is best, and starting over). Matt commented about the micro-macro qualities of the game at this point last year, and he's totally right. The relationships between the levels are unbelievably dynamic. As above, so below. Or maybe it's the other way around.
o Likewise, there are all kinds of different levels one can pop back and forth between when talking during a game. Besides the formal elements, listed above, there's also the matter of lore: individual player narratives, team rivalries, and the like, as well as the even grander arc of baseball history.
o One can employ any one of the elements to figure out why the fuck the Mets melted in the 7th this afternoon. For example, one can blame Shawn Green's misplay of Scott Thorman's drive into the right field corner, which should've been the third out. Or one can blame the evolution of relief pitching into righty/lefty specialists used for one or two batters, even if they're clearly in the groove -- Willie Randolph having pulled Ambiorix Burgos so Scott Schoeneweis could face Kelly Johnson (walked) and Edgar Renturia (three-run home run into the Mets' bullpen). Or one can blame Schoeneweis for bad pitching, or anybody or anything else. Really, the Mets lost, another unit completed.

April 19, 2007

the curious case of sidd finch


Perhaps it is true of all sports, but magical realism/fabulism seems to go particularly well with baseball, from Philip Roth's malfunctioning Ruppert Mundys of the Great American Novel to the entire career of W.P. Kinsella (who I'll probably post more about as the season moves along). A good answer is suggested by George Plimpton in his own contribution to the genre, The Curious Case of Sidd Finch, about an aspiring Buddhist monk who can pitch 168 miles per hour (and does so over several games with the 1985 Mets):

Baseball is the perfect game for the mystic mind. Cricket is unsatisfactory because it has time strictures. The clock is involved. Play is called. The players stop for tea. No! No! No!... On the other hand, baseball is so open to infinity. No clocks. No one pressing the buttons on stopwatches. The foul lines stretch to infinity. In theory, the game of baseball can go on indefinitely.

On Finish's first big league performance:

Sometimes in a stadium, if it is tense, and the place has a good crowd, enough people identify with the actual flight of the pitch ball -- an exhalation of breath -- so that the pitch is accompanied by a slight whoomph. With the first ball that Finch threw there was no time for any kind of reaction: we heard the slam of the ball driving the air out of the catcher's mitt with a high pop! -- audible, I suspect, in the parking lot beyond the center-field fence. This was followed by a high exclamation from Reynolds, a kind of squeak, as he stood up from his stance, reached into his glove, and began pulling the ball free.

April 10, 2007

satchel paige's rules for how to stay young

In the Great American Novel, Philip Roth compares legendary Negro League pitcher Satchel Paige to Mark Twain's slave Jim, from Huckleberry Finn. "Students of Literatoor, professors, and small boys who recall Jim's comical lingo will not be fooled just because Satch has dispensed with the thick dialect he used for speaking in Mr. Twain's book."

Paige's six-point list for "How To Stay Young" (first published in Collier's in 1953 and reproduced by Roth) sounds like it's straight out of Twain, though (I think) could be any one of Twain's folk weirdoes, white or black. Or maybe I'm just a white liberal.

1. Avoid fried meats which angry up the blood.
2. If your stomach disputes you, lie down and pacify it with cool thoughts.
3. Keep the juices flowing by jangling around gently as you move.
4. Go very light on the vices, such as carrying on in society. The social ramble ain't restful.
5. Avoid running at all times.
6. Don't look back. Something might be gaining on you.
I think often about #4.

April 5, 2007

"take me out to the ballgame" - bob dylan

"Take Me Out to the Ballgame" (a capella) - Bob Dylan (download here)
from Theme Time Radio Hour, ep. 04: Baseball

(file expires April 12th)

I think baseball's slowness, exactly what most people seem to hate about the game, is exactly what I love about it: being able to watch characters develop slowly, over (if we're lucky) eight months, both in action and in repose, in micro (at bat by at bat) and macro (the story arc of an entire career), and having plenty of time between pitches to boggle about it all.

Of course, whenever I try to boil down why I love baseball and not other sports, it's all sort of arbitrary -- which isn't to say unimportant, just more akin to a religion one is born into, and accepted as meaningful many moons ago. Except for the fact that baseball begins with the spring, and ends as the leaves die. Anyway, it's April, and the Mets are 3-and-0, so here's Bob Dylan singing "Take Me Out to the Ballgame" from the fourth episode of his Theme Time Radio Hour.

March 20, 2007

baseball & gentrification

On Friday, listening to the Mets/Marlins broadcast on WFAN. I heard (for me) one of the first positive uses the word "gentrification." Though I imagine that's most likely because I'm a sheltered Brooklyn liberal. One of the announcers was commenting on the positives of adding a retractable roof to Dolphin Stadium, where the Marlins play, and suggested that it would gentrify the surrounding area, thus revitalizing it. The neighborhood -- a slum, maybe, I'm admittedly not sure -- happens to be Little Havana, heavily populated by Cuban exiles, with all their attendant culture.

It's nothing new for baseball. A few years back, Ry Cooder recorded Chavez Ravine, paying tribute to the Los Angeles neighborhood cleared in 1950s to make way for Dodger Stadium. And in another year or two, the horribly named CitiField will probably wipe away Willets Point, the primeval shantytown of chop shops and tire repair joints that abuts Shea Stadium. Strange that baseball should be so linked to the displacement of indigenous urban cultures. I suppose anything the magnitude of a ballpark is necessarily a municipal project, and therefore big business. It seems natural, in a horrible way.

But was it always like that? Fenway Park and other old stadiums were built to fit inside their respective city grids, and a lot of the stories I heard about Ebbets Field seem to indicate that it was integrated into Flatbush. In this day and age, is there any way for something as mammoth as a stadium to be assimilated organically into the surrounding area? Certainly, shitstorms brew in Brooklyn whenever new stadiums are mentioned. But was there ever a time when they didn't?

March 8, 2007

grapefruit observations

At first, the lack of coverage of spring training pissed me off: even with cable (not that I have it) only a few games on television, even fewer on radio, and no Gameday play-by-play on mets.com. I think I like it, though. The lack of constant information feels like a connection to the old ballgame, and that's always welcome: getting information in spots from informed beatmen like Adam Rubin and Mike Delcos (in their modern guise as bloggers, of course), and occasionally updated linescores.

Much of spring training feels like that. With all the teams in the Grapefruit League a busride away, it is nothing but a regional baseballing association. (That is, it feels like the way all non-major league baseball still operates.) Plus, the very ritual of Florida to begin with: going some place where there's warmer weather in the spring, instead of holing up climate-controlled bunker/complexes in their respective hometown.

Baseball respects the seasons, and not in some meatheaded "we're gonna prove ourselves by playing the m'fucking snow" way, so much as the "I'm gonna figure out how to position ourselves by gently tossing this here clump of dirt into the air and seeing how the breeze is, but if it rains I'm going inside like a sensible human" kinda way.

As my life began to de-blah itself from the winter, I noticed it was the same day exhibition games began. I was reminded of this quote Russ comforted me with in the days after the Mets lost the NLCS, from the late, sage commissioner A. Bartlett Giamatti:

It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall alone. You count on it, you rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then, just when the days are all twilight, when you need it most, it stops.

In the spring -- or, rather in these weeks before spring -- hearts are whole and pure.

February 26, 2007

grapefruit league links

Grapefruit League games begin on Wednesday. (Do you like grapefruit?)

o For the first time in a decade, Major League Baseball has tweaked the rules. Some stuff, such as a new way of resolving tied games, might come into play. In most cases throughout the 14-page PDF -- the umpire placing the rosin bag on the pitcher's mound instead of carrying it with him, for example -- the changes are almost literally insignificant. Often, they exist simply to make a rule "consistent with current practice at the professional level." One uses the word "expectorate." In places, the changes excise outmoded historical statutes. They also acknowledge that any place the official rules refer to "he," it could also mean "she." If it is accepted that nobody, especially not Abner Doubleday, was singularly responsible for codifying the rules of a folk game, then -- owners and commerce aside -- it remains, like most professional sports, morphed and unconsciously micromanaged by the collective will of the participants. Official changes are, most of the time, secondary.

o The New York Times runs a nice profile Mets' bench coach Jerry Manuel. "I feel very strongly that the game has a certain flow to it," Ben Shpigel quotes Manuel as saying. "You make adjustments as it goes on." It also notes that Manuel reads Gandhi and Tolstoy, which makes him a nice match with anti-war socialist/Gabriel Garcia Marquez-reading first baseman Carlos Delgado. I like the description of Manuel finding a "secluded spot on the field" to listen to the players around him.

o From the opposite school as Manuel is J.C. Bradbury, whose Baseball Economist: The Real Game Exposed was recently published (and reviewed by the Wall Street Journal). While the book sounds mindblowingly analytical, no doubt, I guess I'm a little skeptical of the claim that statistics comprise an objective, "real" game of ball. Baseball seems much larger to me, statistics being one part of a collision that also involves the drama, tedium, life, and lives that unfold from an eight-month season that begins in late February and ends in late October. Yes, you can read a baseball game as entries into a grand database (as my friend Russ recently pointed out) and maybe there's something pure about that, but I'm not sure if it's any more real or important than, say, a random summer rain delay.

o Spring training might be slow on actual news, but it's high on human interest stories, usually in the form of profiles of perpetual minor league journeymen like Colter Bean.

February 8, 2007

a thought, waiting for the subway

It is cold, and there is still no snow. But, a week from today, pitchers and catchers report to spring training. From there, it is easy to imagine new beginnings: some bit of life, however feint, in the bitter air.

January 19, 2007

"puzzlin' evidence" - talking heads & 1986 nlcs, game 6

"Puzzlin' Evidence" - Talking Heads (download here)
from True Stories (1986)
released by Sire (buy)

(file expires January 20th)

Watching 20-year old baseball games is way more fun that I'd suspected. In the case of Game 6 of the 1986 National League Championship Series, a 16-inning epic between the Mets and the Houston Astros, the overarching drama yielded dozens of miniature entertainments. Framed by the hyperreal green of the Astrodome's Astroturf and its roof's impressionist light slats, there was the simple pleasure of watching the 1986 Mets operate. There were small moments: Keith Hernandez making a routinely amazing grab deep in the hole, and flipping effortlessly to Roger McDowell, covering first. And there were the crowd shots, flickering portraits of the same characters that populated David Byrne's True Stories, shot and set in Texas that same year.

The first picture, perhaps, is titled: the Starting Pitcher's Wife in the Top of the 9th. In this case, the starting pitcher was Bob Knepper, working on a two-hit shut-out against the Mets who -- moments after this shot -- pinch-hit with Len Dykstra, who would triple to deep center, thus beginning a three-run rally that would result (seven innings later) in the Mets' clinching of the pennant. But she didn't know that.

January 8, 2007

season ticket

Missing baseball, I recently spent some time with Roger Angell's Season Ticket, which contains some of the best writing I've ever read about the pleasures of being a fan. That Angell's fandom happens to be of baseball often feels incidental. Here is a rain-delayed in game in Toronto:

Then it rained -- downward and side-blown sheets and skeins of water that streamed down the glass fronting of the press box, puddled and then pounded on the lumpy, too green AstroTurf playing field before us, and emptied the roofless grandstand around the diamond. Glum descendant clouds swept in, accompanied by a panoply of Lake Ontario ring-billed gulls (a celebrated and accursed local phenomenon), who took up late-comer places upon the long rows of backless aluminum benches in center right field and then settled themselves thickly across the outfield swamplands as well, where they all stood facing to windward, ready for a fly ball, or perhaps for a visiting impressionist French film director ("Quai des Jays," "Toronto Mon Amour") to start shooting.

(It also happens to be available for $1.00 from AbeBooks.com, or one cent from Amazon.)

December 19, 2006

think big!

By morning, I will happily off-grid for a week, back in action on 12/28 or so. In the meantime...

Rescued from the cabinet of VHSs at my father's house on Long Island (and digitized by my buddy, LB), it's Think Big, the 1987 inspirational video starring the New York Mets' Gary Carter, Mookie Wilson, and Roger McDowell!

See them mime (on the field at Shea!) to hilariously synthed out rock tunes written just for them! Hear Gary Carter attempt a Pee-Wee Herman imitation! Dig the late '80s conception of proto-internet video baseball! Get inspired!

I remember asking my parents to get Think Big for me. I don't think I ever bought into to it, though. Even when I was nine, it was unbearably corny. But it was neat to see Mets players clowning around like they were the Beatles or something. Really, the coolest part was the video baseball. 100% awesome!

It's in three parts:

October 20, 2006

aqua seafoam shame (nlcs, no. 7)

The Mets will change in the off-season, as teams do. Some are now free agents, others -- perhaps -- trade bait. The lineup will morph, and they'll start again in Florida, in the agreeable weather and miles of green.

On the way home from Shea, I pulled my comfort ripcord and listened to In Utero quite loudly while reading the new 33 1/3 book about the same. Escaping back into the music that I loved in ninth grade when I turned away from sports to begin with, the phrase that kept rolling around in my mind was "aqua seafoam shame," which is what I thought Kurt Cobain was singing somewhere in "All Apologies" (and still kinda do; the actual lyric is rather mundane).

I'm not sure why it's appropriate, really, or even if it's how I'm actually feeling right now, but it'll do. Next season in Jerusalem, as I believe the saying goes.

October 19, 2006

phew (nlcs, no. 6)




Of all the major professional sports, baseball is easily the one with the most physical inactivity. That is, with the exception of the pitcher and catcher, most of the players are still far more than they are in motion. In that, it is also the professional sport best suited for lingering close-ups on players' eyes. Resultantly, though perhaps I am saying this as one who never developed a taste for any other sport, it also seems the game with the greatest potential for articulated drama. It is not a coincidence, I don't think, that the majors are known as The Show.

In terms of creating a genuine, truthful response from as large an audience as possible, mannered dialogue brimming with double-entendres and clever plot devices is always going to be working at a handicap compared to the evenly distributed nine innings of a playoff game. Storylines are ending, developing, and beginning, though not even the characters know which ones. Only the unwritten ending can contextualize the true meaning of the two-out rallies that b